Albert v. Embassy of Music GMBH

CourtDistrict Court, N.D. California
DecidedJuly 27, 2020
Docket5:19-cv-06652
StatusUnknown

This text of Albert v. Embassy of Music GMBH (Albert v. Embassy of Music GMBH) is published on Counsel Stack Legal Research, covering District Court, N.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Albert v. Embassy of Music GMBH, (N.D. Cal. 2020).

Opinion

1 2 3 4 UNITED STATES DISTRICT COURT 5 NORTHERN DISTRICT OF CALIFORNIA 6 SAN JOSE DIVISION 7 MARCEL ALBERT, 8 Case No. 5:19-cv-06652-EJD Plaintiff, 9 ORDER DENYING LEAVE TO AMEND, v. GRANTING MOTION TO DISMISS 10 AND DENYING MOTION TO STRIKE EMBASSY OF MUSIC GMBH, et al., 11 Re: Dkt. Nos. 33, 42, 54 Defendants. 12

13 Plaintiff Marcel Albert, proceeding pro se, brought this action against Defendant Embassy 14 of Music GMBH (“Embassy”) and YouTube, LLC (“YouTube”), a wholly owned subsidiary of 15 Google LLC (together with YouTube, “Google”), alleging violations of the Digital Millennium 16 Copyright Act (“DMCA”) and unjust enrichment. Dkt. No. 1 (“Original Complaint”). After 17 amending his complaint once as a matter of course (Dkt. No. 13), Plaintiff now seeks leave to file 18 a Second Amended Complaint in order to add new allegations and a new defendant, Jennifer Lee 19 Taylor. Dkt. No. 33 (“Motion to Amend”). Google opposes the Motion to Amend and 20 simultaneously moves to dismiss the claims against it in the First Amended Complaint. Dkt. No. 21 42 (“Motion to Dismiss”). Non-party Taylor also opposes Plaintiff’s Motion to Amend. Dkt. No. 22 43 (“Taylor Opposition”). In response, Plaintiff filed a Motion to Strike the Taylor Opposition for 23 violation of Federal Rule of Evidence 408. Dkt. No. 54 (“Motion to Strike”). 24 The Court took these motions under submission for decision without oral argument 25 pursuant to Civil Local Rule 7-1(b). For the reasons stated below, the Motion to Amend is 26 DENIED, the Motion to Dismiss is GRANTED and the Motion to Strike is DENIED. 27 CASE NO.: 5:19-CV-06652-EJD 1 I. Background1 2 Plaintiff is a professional in the music industry and acts as the “exclusive monetization 3 agent for royalties” for Tuukka’s Tracks KY (“Tuukka’s Tracks”), a Finnish entity that allegedly 4 has the exclusive right to exploit the song “Endless Summer,” by Oceana (the “Song”). Proposed 5 Second Amended Complaint, Dkt. No. 33-1 (“PSAC”), ¶¶ 2-3. Plaintiff alleges that Defendant 6 Embassy assigned the “Exclusive Rights for various global territories for exploitation of the 7 copyright in and to [the Song]” and that Tuukka’s Tracks in turn licensed those rights to Plaintiff. 8 Id. at ¶ 3. As evidence of the transfer, Plaintiff attaches to the PSAC the purported “Exclusive 9 Licensing Contract” between Embassy and Tuukka’s Tracks. See Dkt. No. 33-4. 10 Plaintiff alleges that as the monetization agent for Tuukka’s Tracks, he is entitled to any 11 revenue generated by the Song on YouTube. PSAC at ¶ 3. Variations of the Song cumulatively 12 have hundreds of millions of views on YouTube, which generates substantial revenue. Id. at ¶ 5. 13 All revenue from the Song was being paid to Embassy until Plaintiff filed a DMCA Takedown 14 Notice with YouTube asserting his “sole control of exclusive rights” as to the Song. YouTube 15 took down the content. Id. at ¶ 8. Embassy then filed a DMCA Counterclaim with YouTube, and 16 YouTube reinstated the content and gave notice that it would remain active absent the initiation of 17 legal proceedings. 18 On October 16, 2019, Plaintiff filed the present lawsuit. On March 27, 2020 Plaintiff filed 19 his First Amended Complaint. Dkt. No. 13 (“FAC”), which asserts claims against Embassy for 20 violation of the DMCA (Count 1) and unjust enrichment (Count 2). PSAC at ¶¶ 13-25. Plaintiff 21 further alleged that YouTube violated its own “three strikes policy,” by which a user’s “channel” 22 may be terminated following multiple uncontested copyright violations, and seeks a preliminary 23

24 1 Except where otherwise noted, this background considers the facts as alleged in Plaintiff’s 25 Proposed Second Amended Complaint and only discusses the facts pertinent to the motions at 26 hand. 27 CASE NO.: 5:19-CV-06652-EJD 1 injunction against YouTube ordering it to redirect royalties to Plaintiff, among other things. Id. at 2 ¶¶ 23-25. 3 Upon receiving Plaintiff’s original complaint, Embassy hired as counsel Jennifer Lee 4 Taylor, who sent Plaintiff a letter demanding that he withdraw his claims. Id. at ¶ 11. Ms. 5 Taylor’s letter alleges that Plaintiff’s claim of ownership over the copyright for the Song is false 6 and that Plaintiff forged legal agreements and other documentation in order to substantiate his 7 baseless claim. See Taylor Decl. Ex 1 (“Demand Letter”).2 The Demand Letter states that 8 Plaintiff engaged in a “campaign of harassment” against Embassy and its employees using threats, 9 profanity, and vulgar language in order to extort a settlement payment from Embassy. Id. The 10 Demand Letter further suggests that certain business associates of Plaintiff, such as Tuukka’s 11 Tracks employees “Kyle Kennedy” and “Raphael Pleasant, Jr.,” are actually aliases of Plaintiff 12 himself. 13 In her declaration, Ms. Taylor states that about one month after sending the Demand Letter 14 she and her colleague Nicholas Herrera received an email from a Tuukka’s Tracks email address, 15 signed by Tuukka’s Tracks employee Kyle Kennedy. Taylor Decl. Ex. 4, Dkt. No. 43-5 16 (“Kennedy Email”). The Kennedy Email contained the header “Without Prejudice, Save As To 17 Costs [] Settlement Rules Apply.”3 Id. In the email, Mr. Kennedy claimed that the Demand Letter 18

19 2 Plaintiff submitted two incomplete versions of the Taylor Letter to the Court: the first with 20 his First Amended Complaint (Dkt. No. 13), and the second with his Emergency Motion for 21 Temporary Restraining Order and Preliminary Injunction (Dkt. No. 20). Plaintiff redacted both 22 versions without marking the letter or the omissions as “redacted.” Plaintiff is directed to comply 23 with Civil Local Rule 79-5 for any future filings that he seeks to file in redacted form. 24 3 Following Ms. Taylor’s submission of her opposition, Plaintiff filed a Motion to Strike her 25 opposition on the grounds that this exhibit and others are protected by Federal Rule of Evidence 26 408. For the reasons stated in Section III(C) below, the Court disagrees and finds it proper to 27 CASE NO.: 5:19-CV-06652-EJD 1 contained “outlandish and libelous statements” and demanded money for “remuneration for the 2 damages” and “reimbursement for the costs” resulting from the Demand Letter. Id. Mr. Kennedy 3 further stated: 4 “[W]e are drafting complaints to be submitted to The State Bar of 5 California against Ms. Taylor and Mr. Herrera for their part in this scheme 6 to slander our entity, as well as our board members and Mr. Albert himself. 7 Ms Taylor and Mr. Herrera have a legal ethics obligation to fully investigate 8 all matters prior to making libelous allegations, and disseminating same to 9 3rd parties. By failing to take proper care, you both have breached your 10 ethical obligations as members of The State Bar of California. Failure to 11 comply will result in additional actions against you and your client.” 12 Id. 13 Plaintiff now seeks to amend his complaint to add Ms. Taylor as a defendant and to add 14 allegations and claims against her based on her Demand Letter. Plaintiff argues that Ms. Taylor’s 15 allegations in the Demand Letter are false and defamatory and that she published them by sending 16 the letter to “several parties, including but not limited to Defendant YouTube.” PSAC at ¶ 28. 17 Specifically, he asserts claims for “libel & slander” (Count 4) and tortious interference with 18 contract (Count 5) against both Embassy and Ms. Taylor, and asserts a claim for “Negligence of 19 Defense Counsel” (Count 6) against Ms. Taylor alone. Plaintiff attaches to the PSAC the 20 Affidavit of Steven G. Burgess, a purported expert in cyber forensics, attesting to the validity of 21 the Exclusive Licensing Contract. Dkt. No. 33-4. 22 Ms.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Fogerty v. Fantasy, Inc.
510 U.S. 517 (Supreme Court, 1994)
Bell Atlantic Corp. v. Twombly
550 U.S. 544 (Supreme Court, 2007)
Ashcroft v. Iqbal
556 U.S. 662 (Supreme Court, 2009)
Mann v. Chase Manhattan Mortgage Corp.
316 F.3d 1 (First Circuit, 2003)
Colaprico v. Sun Microsystems, Inc.
758 F. Supp. 1335 (N.D. California, 1991)
Harris v. King
60 Cal. App. 4th 1185 (California Court of Appeal, 1998)
Platte Anchor Bolt, Inc. v. IHI, INC.
352 F. Supp. 2d 1048 (N.D. California, 2004)
Fortaleza v. PNC Financial Services Group, Inc.
642 F. Supp. 2d 1012 (N.D. California, 2009)
Sharper Image Corp. v. Target Corp.
425 F. Supp. 2d 1056 (N.D. California, 2006)
Huy Thanh Vo v. Nelson & Kennard
931 F. Supp. 2d 1080 (E.D. California, 2013)
Clark v. Superior Court of the District of Columbia
702 F. Supp. 4 (District of Columbia, 1988)
Sidney-Vinstein v. A.H. Robins Co.
697 F.2d 880 (Ninth Circuit, 1983)
Reddy v. Litton Industries, Inc.
912 F.2d 291 (Ninth Circuit, 1990)
In re Circuit Breaker Litigation
175 F.R.D. 547 (C.D. California, 1997)

Cite This Page — Counsel Stack

Bluebook (online)
Albert v. Embassy of Music GMBH, Counsel Stack Legal Research, https://law.counselstack.com/opinion/albert-v-embassy-of-music-gmbh-cand-2020.